Engl 570 Manual do Operador descarregar pdf (Página 22)

MegaLoPunch

LeadI's

Lead II

Lead I Hi Gain

Soft Lead

Heavy Lead

Lead I Modern LeadII Modern Lead I Classic Lead II

Classic

Soft Lead

NoiseGate

Soft Lead Hi Gain

Crunch Noise Gate

Noise Gate

sound-shapingbuttonisprogrammable,providinginstantMIDIaccess

toahostofsonicconfigurations.

In addition, I made a point of tuning the two Lead channels to respond slightly

differently: response isabit moreaggressive,faster and moreprecise it allbut

lunges when you attack strings. , on the other hand, is not quite as testy. Its

response is not as rabid, and with an extra sprinkling of low end added to the sonic

recipe, it also delivers warmer tone. demands rather precise technique, while

the more forgiving is easier to handle. The feature gives you two more

voicing options for each of the two Lead channels - (moderate Gain level)

and (ultra high Gain shred). What's more, you can even tweak each

individuallyusing the dedicatedGain,Volume and Trebleknob. Thisbringsa bunch of

benefits to you, including greater freedom and more precision in sound-shaping. The

four Soft Leadvariants ( + , + , + , +

) run the gamut of crunch tones from light (with the Gain knob set no higher

than 11 o'clock) to heavy crunch (with the Gain knob somewhere between 10 and 1

o'clock), with tonal properties differing quite markedly from Crunch channel sounds.

These modes even let you dial in relatively lean clean sounds. So if clean is your thing

andyour music mandates arangeofdifferent clean variants,simply setthe Gainknob

below the 9 o'clock mark andselect (Lo Gain) to see what you can come up

with.

Because it ischock fullof tone-tweaking tools,this preampis sure tosurprise youtime

and again with new sonic variants. However, there's no need to panic in face of its

sophisticatedfunctionality.AtENGL,easeofuseisparamount.Wedesignallouramps

so that players can dial in great sounds from the start - without hours spent

researchingthe manual andstruggling withsettings. Despitebeingsoeasy to use,the

ENGL 570 preamp puts into the hands of the innovative, creative guitarist an all but

inexhaustiblebonanzaofsound-shapingresources.And I am convinced that guitarists

withmoretraditionalleaningsareequallywell-servedwiththispreamp'ssmorgasbord

oftastytubetone!

Theadvantageofa thatisinstalledinandmatchedtothepreampisthatit

lets you fine-tune its threshold with extreme precision, thereby separating the useful,

musicalsignalfromuselessbackgroundnoise.Indeed,this wasdesignedto

addressthesignal the most beneficialspot in thesignal chain -the preamp- to makeit

more effective. First and foremost, it is designed to suppress ambient noise such as

hissingandhummingduringbreakswhentheLeadchannelisinHeavyLeadmode.For

this reason, I tuned its threshold (that's the level at which the gate triggers) range to

suit this preamp mode, and then adjusted it for (Lead channel,

deactivated) and configurations. To get acquainted with how the

works, I suggest you start by setting the Threshold knob to the far left (

opens at low signal levels) and slowly twist it clockwise to gradually raise the gate's

trigger threshold. When the knob arrives at the far right position, the will

not trigger untilthe signal reachesa veryhigh level. Thismeans thatthe preamp must

amplify the guitar signal considerably to open up (or deactivate) the . In

practice,yourbestbetfor suppressing loud noise whenrunning Lead channels athigh

Gainlevels istoset theThresholdknob higher than12 o'clock. Ifyou're doing thelow-

AfewcommentsontheNoiseGate:

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